Making it is half the job. Distribution is the other half — music, TV, film, podcasts, and everything our studios ship. We produce it, release it, and carry it to the platforms, and the client keeps their masters, their feeds, and their audience.
Distribution is not a separate vendor bolted onto the end of a project. It is run by the same studios that made the work, with the same Engagement Manager accountable for where it lands.
Singles, EPs, catalogue. Delivery to Apple Music® and the rest of the streaming platforms, metadata and credits done properly, and splits that respect the people who played on it.
Content Studio →Shorts, series, branded film, and documentary. Produced by the Content Studio, delivered to Apple TV® and whichever platform or network it is destined for, in the spec that platform actually wants.
Content Studio →Format, production, artwork, feed, and release. Our own shows run on the same pipeline as our clients', which is the point.
Digital Studio →Experience Studio productions, captured and distributed — live streams, session films, and the cutdowns that keep an event working for a year.
Experience Studio →Titles, playable experiences, and in-game brand activations. We are an exclusive platform for now — games release through us rather than through a third-party label — and we integrate at whichever level the project needs: producer, publisher, host, or technical partner alongside your own studio.
Digital Studio →Every release has a producer who owns it end to end. Studio Pros are credited by name — creator-first terms, in writing.
Studio Pros →The API lane for distribution partners, so releases, feeds, and reporting move through the app properly instead of bolting on.
Spaces & Integrators →Both released under TreyTech Distribution, on the same pipeline we run for clients.
Unscripted sessions with Trey and TreyTech Studio Pros across brand, content, AI, digital, and experience. The trailer is live on Apple Podcasts®; the first special episode is in production.
Open Studio →
Interviews and specials from the Digital Studio — music and media conversations with special guests, and the stories behind the records, shows, and releases they made.
Tell me when it drops →Ongoing studio capacity and distribution on a subscription, instead of a new scope every time something needs to ship.
Paid access only, with an active client discount. StudioSub keeps a lane open for the work that never really ends — releases, episodes, campaigns, and the proofs and approvals that come with them.
An Apple Podcasts® channel subscription with Family Sharing, rated 13+. Early episodes, premium shows, and the specials before they go wide — and it directly supports our artists, our guests, and the distribution that carries them.
Distribution is not only the upload. We produce premium and subscriber-funded shows for clients, and we buy and run the placements that get them found — including Apple Maps® and App Store® advertising, routed through the Spaces lane.
and the streaming, media, and social platforms your audience already uses.
Distribution terms are disclosed before anything ships. TreyTech does not take ownership of a client's masters, catalogue, feeds, or audiences, and no partner in the Relay lane may require it. Plans, cycles, and pricing are confirmed in your agreement while the platform is in build. Apple Podcasts channel subscriptions are billed by Apple and managed in your Apple Account.S. and other countries and regions.
Every TreyTech release goes out through Apple® platforms. One delivery spec, one set of rights, one place your audience already lives — music, shows, film, audio, books, and games, all released from the same engagement that made them.
S. and other countries and regions. Availability on any given platform depends on the title, the catalogue, and Apple's own review — confirmed in your agreement, never assumed.
Distribution is not a mystery line item. It is scoped in your agreement, billed the way the rest of your work is billed, and reported in your dashboard — whether we are releasing your catalogue or our own show.
A single, an EP, a film, a season, or an event capture. Fixed scope, fixed fee, written into your quote or SOW before anything is delivered.
Standing studio and distribution capacity each cycle, with an active client discount. For catalogues, series, and shows that never really stop.
Premium and subscriber-funded shows — like TreyTech | Early Access at $9.99 per month — billed by Apple and reported back to the rights holders.
Paid placement, including Apple Maps® and App Store® advertising, runs through the Spaces lane. You see the spend, the platform fee, and ours, separately.
Open Studio and The Spin are scoped, costed, and reported the same way. We do not run our shows on terms we would not offer you.
Invoices, cycles, and receipts live with the work — Apple Pay® or card, and cycle changes take effect at the boundary, never retroactively. How billing works
This one is not negotiable in our direction. TreyTech distributes your work under the terms in your agreement — and those terms leave ownership where it belongs.
Specific rights, terms, and splits are always set by your signed agreement — this is the floor we start from, not a substitute for it. Intellectual property · Confidentiality & data
Our Studio Pros are not anonymous labor. They are credited, paid a fixed fee, and they keep their own portfolio, their own clients, and their own IP — TreyTech does not claim a Pro's work, style, or catalogue by virtue of routing a project to them. If you are a creator, a musician, a producer, a writer, or a maker of any kind: bring your work, keep what is yours, and let us handle the release.
TreyTech <3 Creators
Designers, developers, coders, writers, consultants, musicians, filmmakers, podcasters, and makers of every kind. The platform exists so you can do your best work, and be paid and heard for it.
Tell us what you are making and where it needs to land. The studio that builds it is the studio that ships it.